{"id":722,"date":"2017-03-22T15:29:24","date_gmt":"2017-03-22T13:29:24","guid":{"rendered":"http:\/\/www.disorienta.org\/?p=722"},"modified":"2019-02-18T16:02:30","modified_gmt":"2019-02-18T14:02:30","slug":"e-ma","status":"publish","type":"post","link":"https:\/\/www.disorienta.org\/en\/e-ma\/","title":{"rendered":"E-Ma"},"content":{"rendered":"<p>E|Ma was born from a research residency at Kujoyama Villa in Japan on the Ma &#8211; experience<br \/>\nof emptiness and silence between things and beings, in the manner of breathing. The time &#8211;<br \/>\nspace of E|Ma is structured by the dancers and the digital device made of polyhedrons,<br \/>\nknown as D\u00fcrer\u2019s, provided with behaviors. The stage becomes a microcosms that refers to<br \/>\nthe contemporary world and the interaction between the dancer and the polyhedron, a mean<br \/>\nto model a man\u2019s vison and her\/his environment in a holistic perspective.<br \/>\nThe polyhedron, controlled by digital algorithms, interacts with the dancer\u2019s flesh and instinct.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-911\" src=\"https:\/\/www.disorienta.org\/wp-content\/uploads\/2018\/11\/B83A9746-600x402.jpg\" alt=\"\" width=\"600\" height=\"402\" srcset=\"https:\/\/www.disorienta.org\/wp-content\/uploads\/2018\/11\/B83A9746-600x402.jpg 600w, https:\/\/www.disorienta.org\/wp-content\/uploads\/2018\/11\/B83A9746-768x514.jpg 768w, https:\/\/www.disorienta.org\/wp-content\/uploads\/2018\/11\/B83A9746-1024x686.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>In this work, we seek to develop a fresh approach to technology, not as a source of innovation but rather of dis-novation. We wish to understand the &#8220;why&#8221; and the &#8220;for whom&#8221; new technologies are serving. Here the relation between dance and technology is not about the virtual, but instead is driven by a physical connection between the robotic objects and the dancers body. They create together a unique space-time.<\/p>\n<blockquote><p><a href=\"https:\/\/www.disorienta.org\/wp-content\/uploads\/2019\/02\/E-ma-En.pdf\" target=\"_blank\" rel=\"noopener\">Dossier PDF<\/a><\/p><\/blockquote>\n<p><a href=\"https:\/\/vimeo.com\/\">https:\/\/vimeo.com\/<\/a><a href=\"https:\/\/vimeo.com\/317968702\">https:\/\/vimeo.com\/31796870202<\/a><a href=\"https:\/\/vimeo.com\/\">https:\/\/vimeo.com\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>E|Ma was born from a research residency at Kujoyama Villa in Japan on the Ma &#8211; experience of emptiness and silence between things and beings, in the manner of breathing. The time &#8211; space of E|Ma is structured by the dancers and the digital device made of polyhedrons, known as D\u00fcrer\u2019s, provided with behaviors. The stage becomes a microcosms that refers to the contemporary world and the interaction between the dancer and the polyhedron, a mean to model a man\u2019s vison and her\/his environment in a holistic perspective. The polyhedron, controlled by digital algorithms, interacts with the dancer\u2019s flesh and instinct. In this work, we seek to develop a fresh approach to technology, not as a source of innovation but rather of dis-novation. We wish to understand the &#8220;why&#8221; and the &#8220;for whom&#8221; new technologies are serving. Here the relation between dance and technology is not about the virtual, but instead is driven by a physical connection between the robotic objects and the dancers body. They create together a unique space-time. Dossier PDF https:\/\/vimeo.com\/31796870202<\/p>\n","protected":false},"author":3,"featured_media":920,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[34],"tags":[],"_links":{"self":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts\/722"}],"collection":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/comments?post=722"}],"version-history":[{"count":15,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts\/722\/revisions"}],"predecessor-version":[{"id":945,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts\/722\/revisions\/945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/media\/920"}],"wp:attachment":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/media?parent=722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/categories?post=722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/tags?post=722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}