{"id":1148,"date":"2026-07-12T14:48:15","date_gmt":"2026-07-12T12:48:15","guid":{"rendered":"https:\/\/www.disorienta.org\/?p=1148"},"modified":"2026-07-12T15:17:10","modified_gmt":"2026-07-12T13:17:10","slug":"collection-particuliere-reprise","status":"publish","type":"post","link":"https:\/\/www.disorienta.org\/en\/collection-particuliere-reprise\/","title":{"rendered":"Collection particuli\u00e8re -reprise"},"content":{"rendered":"
\"\"<\/a>

\u00a9 Eve Zheim<\/p><\/div>\r\n

R\u00e9-cr\u00e9ation du solo de 2005 de Maria-Donata D\u2019Urso<\/p>\r\n\r\n

Concept, choreography and performance: Maria Donata D\u2019Urso<\/p>\r\n

Lighting design: Maryse Gautier<\/p>\r\n

Lighting design for the revival: Yannick Fouassier<\/p>\r\n

Original music: Vincent Epplay<\/p>\r\n

Set construction: J\u00e9r\u00f4me Dupraz<\/p>\r\n

General stage management: Ludovic Rivi\u00e8re<\/p>\r\n

Production: Disorienta<\/p>\r\n

Coproduction : La M\u00e9nagerie de verre, Compagnie DCA\/La Chaufferie, avec le soutien
de la DRAC Ile-de-France Minist\u00e8re de la culture et de la communication<\/p>\r\n

Production manager: Marco Villari \u2014 contact.marcovillari@gmail.com<\/p>\r\n

Duration: 45 minutes<\/p>\r\n

Premiere : october\u00a0 21, 22, 23\u00a0 2026 \u2013 M\u00e9nagerie de Verre<\/p>\r\n

ARTISTIC STATEMENT<\/p>\r\n

This solo, created in 2005, emerged from a subtle yet radical exploration of the skin as the source of movement, the interface between the body and the world, and the protective shell that connects us to others. In this piece, I address a question that recurs throughout my choreographic work: the invention of an architecture for the body. Drawing on in-depth research into somatic states, the body itself becomes both the architect and the architecture of the stage space.
The framework created for this piece allows me to study the body from its very foundations: by inverting the points of support and the dynamics of movement horizontally, I compose bodily states where gravity and suspension continually intersect. The dialogue between sensory narration and the \u201chorizontal medium\u201d of space constitutes the source of this solo\u2019s choreography.
Reenacting and reactivating this stage framework today involves retracing the narrative thread of sensations within a different perceptual and temporal context. This reinterpretation could be likened to a rewriting, thereby opening up new interpretive perspectives.<\/p>\r\n

 <\/p>\r\n

Download the file<\/a><\/p>","protected":false},"excerpt":{"rendered":"

R\u00e9-cr\u00e9ation du solo de 2005 de Maria-Donata D\u2019Urso Concept, choreography and performance: Maria Donata D\u2019Urso Lighting design: Maryse Gautier Lighting design for the revival: Yannick Fouassier Original music: Vincent Epplay Set construction: J\u00e9r\u00f4me Dupraz General stage management: Ludovic Rivi\u00e8re Production: Disorienta Coproduction : La M\u00e9nagerie de verre, Compagnie DCA\/La Chaufferie, avec le soutien de la DRAC Ile-de-France Minist\u00e8re de la culture et de la communication Production manager: Marco Villari \u2014 contact.marcovillari@gmail.com Duration: 45 minutes Premiere : october\u00a0 21, 22, 23\u00a0 2026 \u2013 M\u00e9nagerie de Verre ARTISTIC STATEMENT This solo, created in 2005, emerged from a subtle yet radical exploration of the skin as the source of movement, the interface between the body and the world, and the protective shell that connects us to others. In this piece, I address a question that recurs throughout my choreographic work: the invention of an architecture for the body. Drawing on in-depth research into somatic states, the body itself becomes both the architect and the architecture of the stage space. The framework created for this piece allows me to study the body from its very foundations: by inverting the points of support and the dynamics of movement horizontally, I compose bodily states where gravity […]<\/p>\n","protected":false},"author":3,"featured_media":554,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[30,29,33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts\/1148"}],"collection":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/comments?post=1148"}],"version-history":[{"count":11,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts\/1148\/revisions"}],"predecessor-version":[{"id":1163,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/posts\/1148\/revisions\/1163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/media\/554"}],"wp:attachment":[{"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/media?parent=1148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/categories?post=1148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.disorienta.org\/en\/wp-json\/wp\/v2\/tags?post=1148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}